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Haydn Bendall and the day it is all over

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The tape is rolling

Another good interview in the can this time with Phill Brown who started as a Tape Op at Olympic Studios learning to record the extraordinary bands that passed through those fabled walls before moving, via Canada, to the new Island Records studio in Basing Street where he made his mark and then beyond to the world of…
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Vic Flick joins the JB7

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Jive time and so much more

This is Steve Jenkins with his book detailing the story of his life in the music business, out of Walsall he worked in the business at NEMS, Chrysalis, MCA and Mountain before finding his niche in the Seventies world of radio and shop promotion. Then moving on the become MD of Jive Records who became…
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Don’t Knock Upon My Door – Six Dozen Great British ‘B’ Sides

When I first became interested in Pop music, back in the late 50s, my pocket money wouldn’t stretch to records so I had to try and blag what I could from sundry uncles, aunts and cousins. The trouble was, their unwanted oldies were invariably either cracked old Embassy 78s or ancient, pre-R&R crooners/dancebands/novelty items, so my embryonic…
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The Axemen Cometh – The Genesis Of The Great British Guitar Hero

By the late 60s the British Guitar Hero was in the ascendency, and blokes like Jimmy Page, Ritchie Blackmore, Eric Clapton, Peter Green and Alvin Lee were being deified. Rock Music was growing progressively louder, hair was flowing, trousers were tightening, and guitar solos were getting longer, flashier, more intricate and increasingly self-indulgent. The Axe…
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The Mic Man is listening

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Sixties bass player – just busy doing gigs

Managed to catch up with Richard Brown (aka Rick Fenson) yesterday who had played bass with Cyril Davies many moons ago. Over the years he played bass with The Savages, Brian Auger, Marty Wilde, Steampacket, Georgie Fame, Long John Baldry and he even turns up in Keith Richard’s book as the early Stones kept getting gigs…
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Karl Dallas RIP

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The EMI Records house snapper

Peter Vernon got to take an endless role in the Seventies and Eighties photographing the artists as they came through EMI’s doors. He would have them constantly added to his diary and his role was to take press and promotion shots as well as some for record covers, record backs, inners or just to have.…
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Jeff Jarratt was a new boy at Abbey Road


